Scroll: Publishing and the Pandemic
More Submissions, Fewer Readers? How India's Literary Magazines are Coping with the Pandemic
First Person Accounts of from the Editors of Lit Mags in English Hindi and Tamil:
Literary magazines have been quiet, stable homes for creative writing, sheltering fiction, poetry, essays from the bluster of the mainstream. So what happens when the world falls apart and everything becomes noise?
Literary magazines have been quiet, stable homes for creative writing, sheltering fiction, poetry, essays from the bluster of the mainstream. So what happens when the world falls apart and everything becomes noise? How do the gentle stables of literature cope? As we wait anxiously for the first post-pandemic literary masterpiece, there is curiosity about the kind of submissions literary journals have been receiving; whether isolation, grief, fear, longing are spilling on to the page, and if they are, what form they are taking. If some reports are to be believed, more people are writing now than ever – there’s even a “poetry virus” going around. Just how contagious is it?
When all manner of publishing platforms are bumbling their way through “the new normal”, literary journals must also find ways to survive. And many have – despite hitting pause on print runs, despite disrupted distribution channels, despite running low on time and resources, all the while competing with escapist, clickbait-y material popping up at every turn.
Floating in a pool of doom and gloom as we all are, one could argue, is precisely why we need these little literary islands – to travel the length of a memorable short story, to savour the contours of a poem and, as Out of Print founder Indira Chandrasekhar puts it, to “also find escape from fear of a looming cloud of viral particles or the imagery of fellow citizens dropping dead as they embark on a journey home, the horrors of Indian matchmakers or low brow Scandinavian crime.”
Editors of literary journals from across the country talked to Scroll.in about the highs and lows of working through the uncertainty of the times, the new sense of intensity in the creative writing coming their way, and what the future holds for them.
Indira Chandrasekhar, Founder and Principal Editor, Out of Print
Out of Print has been flooded with submissions, many of them strong and compelling. Not all of the stories emerge directly from the pandemic, many visit and record an earlier time, a time before the world stood still and fought for breath. Many were written before the pandemic. Yet all of our recent submissions are certainly products of this strange time.
Solitude, loneliness, the feeling of being trapped within four walls, either alone or within an intensified family dynamic, inform these stories. At Out of Print, I have been able to immerse myself in the editing of these works with a keen, enhanced attention.
We are a quarterly and have published two issues between March and August featuring works that veer between the jagged and the mesmeric. Even though I am a scientist, it is not the data I am looking at – the online traffic and so on – but, rather, the less tangible responses, like an ever-widening author pool that allows me to speculate that the magazine is being read.
We’ve received letters about the recent issues, including references to individual stories, that indicate that readers are responding to what we’re publishing. Yes, the tensions of the moment must drive people to escapism. I believe, however, that readers can open their minds with a thought-provoking short story and at the same time find escape from fear of a looming cloud of viral particles or the imagery of fellow citizens dropping dead as they embark on a journey home across the stretch of the country, the horrors of Indian matchmakers, or lowbrow Scandinavian crime. The mind needs stimulation even while it indulges itself in mindlessness.
We have been lucky: our primary sponsors are also readers of the magazine, our outlay is not over-demanding, and Out of Print continues to be supported. If things change, I suppose, we will have to adapt.
